![]() This is not to say that the road he is taking is not paved with imperfections and burdens. He will reach his destination on his own, and the earth will provide him with anything extra that is necessary. He attests that he, himself, is his own good fortune, and that is all he needs. Because of this realization, he does not have to wish or hope or pray for good fortune. He describes himself as being “healthy and free,” and he realizes he is the only person who is in complete control of his life he chooses his own destiny. The speaker of the poem is describing a trip on which he is embarking. His poems and essays are read in classrooms throughout the United States and the world. Whitman died at the age of 72 after suffering a debilitating stroke. He took jobs at print shops additionally, he taught school and worked on several newspapers. He had very little formal schooling, but he considered himself to be a lifelong learner. Whitman was born on Long Island and grew up in the New York area. A journalist and teacher by trade, Whitman is most known as a poet and essayist, and many modern poets credit his poetry with inspiring and influencing their own works. This poem appeared in what many scholars deem one of the most influential poetry texts of all time, Leaves of Grass, which was first published on July 4, 1855. Here is an analysis of Walt Whitman’s inspirational poem Song of the Open Road. Strong and content I travel the open road That's why I'm singing my song of the open road ![]() ![]() On foot and light-hearted I take to the open road, That's why I'm singing my song of the open road. 【听歌答问】 What ’ s the main idea of the song?Īdvice for the young, memories for the old It’s something that becomes part of your music. “I feel like everything that happens in your life kind of goes into your songs. Merry Ellen’s music is an enchanted glimpse into her own sun-dappled mind, a veritable Eden of lush emerald canopies and richly tinted florets in which her music becomes the soundtrack to a verdant dream like delicate chimes floating on the billows of perfumed zephyrs. In cultivating her sound, Merry Ellen has employed elements from her predecessors: the classical prowess of Tori Amos, the natural poise of Sarah McLachlan, the quiet pensiveness of A Fine Frenzy, and the bold whimsy of Regina Spektor. Merry Ellen writes songs with the cool effortlessness of youth and sings with the jaunty simplicity and breezy flair of a practiced performer. Her sparkling piano refrains sweep and spill into fresh, sweet rivulets of notes her lyrics weave bright, halcyon tales of dream sequences, the light and dark polarities of the human experience, and beauty in its many forms. Perhaps “songwriter” is a more commonly used term, but it’s also too commonplace for Merry Ellen’s glittering narratives, songs that spring up wildly from her subconscious and bloom into vibrant, lilting melodies.
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